Sunday, July 05, 2009

The Hurricane of 1831

From SVGAncestry

THE HURRICANE OF 1831 IN ST. VINCENT; BY AN EYE-WITNESS
Edited by Mary BROWNE* (see source at end of article)

The month of August is considered one of the hurricane months, and although this island had not for half a century experienced anything of the kind (or whilst other islands have suffered materially, St. Vincent has invariably escaped) yet it is usual for all the merchant vessels to leave on or before the 1st of August, otherwise the insurance is doubled. On Monday, the 1st of August, I left Kingston [Kingstown] and at 12 o’clock wheeled my horse’s head homewards.

Passing the Bay of Calliaqua, and which is 3 miles from Kingston [Kingstown], I observed several of the merchant vessels getting under weigh for England. During the preceding week and up to within a short period of its occurrence, we had nothing to indicate the approaching hurricane. On the Wednesday evening it was perfectly still, calm, and serene, and we had taken a drive to Langley Park, as if to take a last look at the beautiful scenery — the luxuriant fields of canes promising an abundant harvest. We remarked on our return that the weather was close and sultry. After midnight the wind began to rise, and with the earliest dawn of the morning, about 5 o’clock, I looked

page 55
from my window and observed the sea running high, and the smaller boughs of the large almond tree near our house breaking off and falling to the ground, but as the wood is particularly brittle it occasioned me no alarm. From this period the gale increased in strength almost every moment, larger limbs were broken off, the sea began to run mountains high, and to present the grandest and most awful appearance you can well imagine; the waves rising to such an astonishing height that it appeared as if the ocean would swallow up the island, and the wind, blowing in a slanting direction across them, caused the spray of each wave as it broke to be thrown up in the air nearly twice its own height, curling, fretting, and foaming, in vain efforts to oppose the violence of the wind — a complete conflict of the elements.

But I was soon called from my brief contemplation of these sublime objects to the nearer danger which threatened us, and to my situation in these trying circumstances, with 700 individuals looking up to me for protection, amongst these the members of my own household – my wife and children — and besides, my residence, the various buildings, my horses, cattle, mules, sheep, and every living thing that might suffer from the violence of the storm, for as yet I had no suspicion that a hurricane was advancing onwards. The first thing that began to awaken my fears was on looking out of my room to observe the overthrow of the carpenter’s and cooper’s shops. I hastily threw on my clothes, and while doing so intelligence was brought me that the mule and cattle shed had fallen in upon the animals, upwards of 30 in number, and fears were entertained that many must be killed. Down the hill

page 56
I posted, through torrents of rain accompanied by one of my drivers, and on reaching the spot I observed to my surprise, but to my great relief, that the roof had given way in the centre, and as it fell the mules had fled to one end, and the cattle to the other, where they were separately cooped up, unable to move but not having suffered any injury. The sides of bamboo I ordered to be removed so as to admit of their coming out into the pasture, and a pen to be enclosed adjoining an empty megass house (where the canes after the juice is expressed are dried for fuel) that they might take shelter there, as it was composed of substantial brick-pillars, pitch-pine rafters, and a good roof; fortunately however, before my orders could be carried into execution, that building, amongst the ruins of which they must have perished, was itself hurled down by the increasing violence of the gale.

As I ascended the hill to look after the security of my own family and the house, which was a frail fabric built of wood, but in a more sheltered situation, another messenger overtook me to inform me that our magnificent wharf which was 200 feet in length and had cost L3,000, was in danger from the height at which the waves were running into the bay, and recommending that measures should be taken to secure the new iron crane placed at its extremity. I despatched two overseers and a company of negroes with directions to fasten the hawser to the crane, and to bring it on shore, and make it fast to a tree, that should the wharf give way we might ascertain where the crane fell and afterwards recover it. I stood at the window looking at this new peril, and to observe how my directions were carried into effect. I saw with an anxious

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eye a wave of unusual size rolling on majestically towards the wharf and crane on its extreme point — they were then both perfect and uninjured — onwards it rolled, mounting higher and higher — it towered far above both crane and wharf — it fell with tremendous violence upon them, and when it subsided the next instant, not one vestige was to be seen. The poor overseer had reached the spot just before, he led the way and had attained the middle of the wharf, when a shriek from the negroes who earnestly besought him to return, as it was giving way, caused him to turn round and speedily retrace his steps, and he did so most providentially, for a foot beyond where he stood the wharf separated, and was in an instant swept into the ocean. The remainder immediately after, with the two storehouses on the beach, following it into the troubled abyss of the waters.

But there was no time for reflection. I heard that no lives were lost, and my attention was drawn back to things nearer home. The cloth had already been laid on the table in our large dining-room, and every preparation had been made for our family prayers and breakfast, but the wind blowing in such gusts as to threaten to burst the windows and doors open, we thought it safest to remove all the crockery ware, glass, and other frail materials into the back rooms. We had scarcely done so before our attention was called to one of the north windows which shook violently and appeared as if it were every instant about to burst in. My wife, myself, and two eldest sons in vain exerted our utmost efforts to retain it in its place, but found it overpowering our comparatively puny strength and deemed it wise to make a timely retreat, when the whole frame, window

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and all burst in, overthrowing the sofa which had been placed against it and falling with violence on the dining-table in the centre of the room. The folding cedar doors on that side of the room then began to shake violently and, bursting the locks and bars, flew open with the greatest violence. We immediately brought two immense boxes I had made to pack my books and linen in, and we succeeded in again closing the doors and placing one box upon the other against them, which resisted the efforts of the wind as long as it continued in the direction of the north-east.

Still I entertained no idea of its being a hurricane, and, as the bursting in of the window admitted both rain and wind, we continued with great presence of mind to remove the books from the ledges round the room and bow window in front, and every article of furniture, with few exceptions, into the back room which was separated from that in front by other folding doors. In the midst of our occupation there was a brief lull in the storm for a few moments, during which on looking out I observed a kind of whirl-wind in the air and various light materials carried up to a great height with a rapid spiral motion, and then in an instant after the wind wheeled round to the opposite point of the compass — south-west. This brief lull, this sudden change — were too sure indications of a hurricane to admit of a doubt, and I became sensible of the dreadful reality; but without communicating my opinion or my fears to the rest of my family. The former wind from the north-east was a slight gale — a mere sportive breeze — compared to that which now succeeded. It blew, it raged, it raved, it roared; gust after gust, so awful and so terrific, like the explosion of cannon or the bursting

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of huge waves against the rocks! The folding cedar doors on this side defied every effort to keep them closed — locks, bolts, bars; the table, side-board and sofa that were ranged against them all were swept aside, and they flew open in mockery of our puny efforts and various contrivances, the wind having free course and raging with the fury of a bursting cataract through the opening it had made. Many of my valuable books (you know what pains I took in their collection, and how carefully they have been always preserved), and several articles of furniture were still unremoved when the room began to shake violently and I perceived that all this part of the building must inevitably fall. I stood at the door between the inner and the front sitting rooms, and watching every opportunity rushed forwards, seized an armful of books, retreated to the doors and placed them in the hands of my wife and family to convey backwards and then returned. One mulatto domestic only followed me, and as I sometimes stood half way in doubt whether to proceed, I turned round and saw him trembling from head to foot with fear, and as pale as death. Again and again I darted forwards — closing the doors on my retreat as gusts rose — and thus I fortunately succeeded in carrying off every book, and most of the furniture. We then aimed for the large dining table, sofa, and remaining chairs; but it was too late. The room began to rock like a cradle, the panes and frames of the windows to crack, and we hastily drew back to the chamber doors, which opened from the inner room, and there stood for an instant at the entrance: — it shook more violently — the rafters, beams, pillars, posts, all gave way with one tremendous crash, amidst the…..

((to be continued…page 60 – 80 still under transcription)).

* This paper consists of a letter, dated St. Vincent, W. I., Nov. 13th, 1831, from a clergyman who was then the owner of "Grand Sable" in that island. It has been placed at my disposal, and edited, by Miss BROWNE, the granddaughter of the writer. — Ed.

SOURCE: Timehri: The Journal of the Royal Agricultural and Commercial Society of British Guiana by Royal Agricultural and Commercial Society of British Guiana, edited by Everard F. im Thurn – Volume 5, pages 54 – 78. Published December 5, 1886.

(Special Thanks to Joan Leggett for providing a copy of this article for transcription).

Wednesday, July 01, 2009

Rock Art in SVG

Rock Art of St. Vincent and the Grenadines
Compiled by Kathy Martin

Profile of Zone:
The Rock Art of St. Vincent and the Grenadines (SVG) consists of a series of petroglyphs engraved into andesite basalts. Most are deeply incised and very well defined, a few are more delicate and
appear to have been made by abrasion or rubbing.
The sites are distributed coastally or along river valleys. They occur at a density of roughly 1 site per 25 km² over the country as a whole. They are distributed along the East, South and West of St. Vincent and one was found on Canouan in the Grenadines.

None have been found so far in the still volcanically active North of the territory.

Dating these sites is contentious. Some are believed to be relatively recent (1000 to 1500AD) while some conservative estimate dates back, according to contextual ceramic evidence, ca. 2000 years to the Saladoid. Some authorities believe they may be much older.

Links with other sites:
St Vincent has many small faces along with complex faces, anthropomorphs, zoomorphs and abstracts in keeping with the rest of the Lesser Antilles and the region as a whole. It also has some much larger glyphs, 2m long and more. This is reminiscent of the larger figures of Venezuela and the Guianas. The Yambou Petroglyph no. 2, glyph 1 is a large rayed head and is the only representative of the “Elaborate Type” Petroglyph in the Antilles according to Dubelaar. These designs occur in the Guyanas and in adjacent areas of Venezuela and Brazil. Swaddled figures such as found at Petit Bordel are also reminiscent of some on the continent.
Some of the Vincentian Petroglyphs are entirely different from anything else in the region and may bear closer resemblance to glyphs in Africa particularly in relation to sun god images and scripts.

Known Sites:
Petit Bordel
Barrouallie – Glebe Rock
Barrouallie – Ogam Stone
Peter’s Hope
Mount Wynne
Layou
Buccament
Lowman’s Bay
Sharpes Stream
Indian Bay
Yambou Valley- 6 sites
Colonarie
Canouan

Practically every beach has work stones or “polissoirs” (stationary mortars and sharpening stones)
often at each end of it. They are also present in many of the river valleys.

Cup holes are present in a number of locations, the most striking being the 13 stones on top of a ridge above Chateaubelair and below the Soufriere. One of these stones show signs of pecking and appears to be a geometric petroglyph.

Documentation:
Frederick A.Ober “Camps in the Caribbees”, Boston, USA 1880,
Daniel G.Brinton “On a Petroglyph from the Island of St Vincent, W.I.” Proceedings of the Academy of Natural Sciences of Philadelphia, 1889,
Alphonse L.Pinart « Note sur les Pétroglyphes et Antiquités des Grandes et Petites Antilles » 1890,
(Manuscript copy in Rijksmuseum voor Volkenkunde, Leiden, The Netherlands). 79
Karl T.Sapper „St Vincent“ Globus Illustrirte Zeitung für Länder und Völkerkunde 84, Braunschweig,1903,
J. Walter Fewkes “The Aborigines of Porto Rico and neighbouring islands” Annual Report of the Bureau of Ethnology to the Smithsonian Institute, Washington, 1907,
St Vincent Handbooks 1911 onwards,
Thomas Huckerby, “Petroglyphs of St Vincent, British West Indies”, American Anthropologist vol. xvi no.2 p. 238-48, 1914,
W.N.Sands “A newly discovered petroglyph” West India Committee circular, 1915, Thurn 1915,
Thomas A.Joyce 1916, Central American and West Indian Archaeology, London
Froidvaux 1920, St.Vincent (Colonial) Reports 1938-1965,
Van der Plas 1954,
Anonymous in the “Bajan” 1959,
I.A.Earle Kirby 1969, ‘Pre-Columbian Monuments in Stone’
Mario Mattioni 1971,
Fred Olsen 1971,”Petroglyphs of the Caribbean Islands and Arawak deities” Proceedings of the International Congress for the study of Pre-Columbian Cultures in the Lesser Antilles.
Leonardi 1972,
Fred Olsen1974 “On the Trail of the Arawaks”, University of Oklahoma Press
Henri Petitjean Roget 1975,
I.A.Earle Kirby 1977, “Pre-Columbian Monuments in Stone”
Ripley P. Bullen & Adelaide Bullen 1972, “Archaeological investigations in St Vincent and the Grenadines, West Indies” W.L Bryant Found. American Studies 8, Orlando,
Ripley P. Bullen 1973, “Certain Petroglyphs of the Antilles” Proceedings of the International Congress for the study of Pre-Columbian Cultures in the Lesser Antilles.
C.N.Dubelaar 1995, “The Petroglyphs of the Lesser Antilles The Virgin Island and Trinidad”
Uitgaven Natuurwetenschappelijke Studiekring voor het Caraїbisch Gebied 135, Amsterdam
Sofia Jönsson Marquet 2002 University of Paris
Claudius Fergus 2003 “The “Carib” Work Stones of Chateaubelair: curio or calendar system?”

All the known Petroglyphs have been photographed and are on file at the SVG National Trust headquarters. Kirby gives a complete record from the 1970s except for Peter’s Hope and Yambou 6.

The Bullens’ and Dubelaar’s publications are available in SVG and Fergus publication is on the web.

Jönssen Marquet produced data sheets but no copy has been lodged with the public institutions in SVG.

Research:
The archaeology of St.Vincent generated little interest during the colonial period to save the notes in reports that documented engraved stones existed. Some archaeological work was done as referenced above. Thomas Huckerby appears to have placed the most value on Vincentian petroglyphs, giving them pre-eminence in the whole of the Antilles (P239).

During the 20th century the professional archaeologists largely confined themselves to work in the Greater Antilles. Research in the Lesser Antilles was done by amateur and self taught archaeologists.

The first comprehensive survey of rock art in SVG was produced in the 1960s by Kirby. He presented it to the scientific community at the Third International Congress for the Study of Pre-Columbian Cultures of the Lesser Antilles (Grenada 1969) under the title “The Pre-Columbian Monuments of St Vincent, West Indies”. His publication followed shortly after.

Several of the Vincentian petroglyphs are entirely different from those of the rest of the region. Kirby sought answers far and wide and eventually concurred with the ideas of Barry Fell that they were Amerindian copies of things they had learned at second or third hand from the Mediterranean. He recognised images of the sun god (especially on the Glebe stone and the Indian Bay rock) together with traces of Libyan, Punic and Cypro-Minoan scripts. This may well have been via free Africans who were known to have been so numerous in St. Vincent, as similarities with West and South African petroglyphs are marked. The Black Carib people, who gave rise to the World Heritage Listed Garifuna culture, originated in St Vincent from the admixture of these free Africans with yellow Carib. Kirby also reported the significance of time and date with regard to the orientation of the Layou
Petroglyph. At the winter solstice the last rays of the setting sun hit the rock with spectacular effect.
The Yambou 2 and 3 sites also appear vividly on December 21st but at noon. The late Barry Fell of the California Epigraphic Society translated the writing on the Ogam stone as
“Mab visited this remote Western Isle”. Mab is believed to be descended from the sea farers who ravaged the Mediterranean around 1200 BC., when St Vincent was inhabited by the Ciboney.
Claudius Fergus’ work on the thirteen stones at Chateaubelair involved measurements. He related them to spirituality and astro-archaeological ideas in the Orinoco and to the work of Fred Olsen, who also studied the Glebe stone and saw it as the sun God, noting its uniqueness in the Caribbean.

Protection: Legislation under consideration.

Conservation:
One site in SVG, and one only, has been painted. This site is Buccament and the paint was applied to the series of carvings there by a person with mental disabilities. It was decided that, as the base material is andesite agglomerate rather than massive andesite more harm than good would be done trying to remove the paint.

The Indian Bay rock has had additions crudely scratched around the main glyph. The rock lies between two popular beaches and tourist police now patrol those beaches.

The Canouan stone was moved during hotel development and has not yet been relocated.

Historically two stones at Barrouallie were rescued from building sites and placed in the Yard of the Barrouallie Secondary School for protection. Students at the school are trained to give information about them to visitors.

The SVG National Trust is negotiating with the International Airport Development Company over the future of one site which lies within the boundary for the planned new airport.

Management:
In keeping with a country which has been largely agricultural until the 1990s the management of rock art sites has been largely informal. Sites have been protected by laws of trespass on private property.

Any infringements are reported through small community networks and people generally have taken a pride in “the Carib stones”.
While we have not yet worked out how to measure the contribution of tourism to the economy it is clear that it is now playing a bigger role and is expected to increase substantially in the not too distant future. To facilitate the development of rock art sites to accommodate tourists and the visiting overseas
based Vincentian diaspora, in addition to use of the sites in helping to define a national identity, formal management plans will need to be developed.

The Layou site was purchased by Government in 2003. It has been fenced and signage erected. A gentleman is employed to maintain and monitor the use of the site. Visitors come mainly with tour
guides, but this is not mandatory.

Several of the sites are being cared for by local community groups. One of the sites is in use as a Shrine by the Roman Catholic Church.

Main Threats:
International Airport development.
International Hotel development.
Lack of awareness of the importance of some lesser sites by developers.
Lack of Funding required to protect and manage sites when, even if entry charges are instituted, the visitor numbers in the short term would not be sufficient to maintain economic viability.

Conclusions:
SVG probably has the highest density of rock art per unit area in the entire region. It is an outstanding place of long term aboriginal habitation and bridges the petroglyph art between the Guiana plateau/Eastern Orinoco and the Northern Antilles. Its potential to contribute to a regional nomination to the WH List is out of all proportion to its size. Several sites are worthy of special mention.

SVG has a population of just 110,000 people. So far no native Vincentian has been trained in Archaeology so we still have to seek out technical advice from abroad. One visiting home owner
became so fascinated by the sites here that she studied archaeology first to M.Sc. then to Ph.D.Level.
She now advises the SVG National Trust.

As tourism takes off it is becoming clear that several initiatives are required:

1. Establishment of proper museum facilities/interpretation centres;
2. Send nationals for training in archaeology/museum curation, conservation;
3. Develop formal management plans for heritage sites like the more special rock art sites.


*******
Prepared in response to request from ICOMOS. ICOMOS is an international non-governmental organization of professionals, dedicated to the conservation of the world's historic monuments and sites.

Sunday, June 28, 2009

Vincentian Fiction

A Runaway Negro is a short story taking place in St. Vincent in the period before the second carib war. It is interesting in the way it portrays life and attitudes toward slaves and caribs.

http://books.google.com.vc/books?id=xbwRAAAAYAAJ&pg=PA58&lpg=PA58&dq=the+runaway+negro+by+John+wilson+Ross&source=bl&ots=nEiZwqybmE&sig=fzhS1AiDbGOStfMS-wySnrZKito&hl=en&ei=mdVHSvunLJyltge7oZmNCg&sa=X&oi=book_result&ct=result&resnum=1

Brought to my attention by Rudi Daniel

Bequia Blurb

Somebody likes Bequia!


Finding Tranquility In Bequia
Published by blogger
on June 29, 2009


St Vincent and the Grenadines comprises 30 islands which extend like a kites tail across the Caribbean. Among the white, sandy islands of The Grenadines are Mustique, with its fabulous Spa; Tobago Cays, which are 5 spectacular, uninhabited islands; St Vincent, a lush green island; Canouan, with its world class golf course and Spa and the safe, secure and friendly Bequia Island.

Bequia has a population of just over 5,000 and is the largest of the Grenadine islands (after St Vincent itself). Its land area is a mere 7 square miles, and it is bathed in a cooling trade wind for most of the year. The summer temperature can reach 32C (90F) although the yearly average is nearer 27C (81F). There’s strong evidence of Bequia’s sea faring heritage around the island, ranging from boat building to local fishermen bringing their catch to harbour, mingling with yachtsmen sailing the Caribbean seas.

A large proportion of the Bequia land is covered with verdant green hillside slopes, which overlook local islands, and it is well known for offering seclusion for those wishing to get away from life’s stresses. The white sandy beaches are surrounded by palms, and peace and tranquility are never far away.

Visitors can take a restful walk around the island to make the most of the sedate pace of island life, or take a taxi into Port Elizabeth to sample local delicacies at the many restaurants. A vegetable market provides a flavour of local life, and fish can be bought straight from the dock. Beautiful yachts can be viewed at Admiralty Bay, as sailors find a safe mooring.

If visitors wish to pursue a more active lifestyle, there’s plenty to Bequia to keep them occupied. The pure clear waters offer wonderful opportunities for diving and snorkeling, with bays surrounded by coral reefs and interesting caverns. There are at least 30 dive sites which are easily accessible and are rated amongst some of the best in these waters. The trade winds afford exciting conditions for windsurfers, and fishermen seek out many challenges among the tuna, marlin and barracuda.

There is a wide range of accommodation available in Bequia, ranging from beachfront guesthouses to a luxury hilltop villa. One of the options becoming more popular is to buy land for sale in Bequia, allowing holiday makers the opportunity to purchase their own Bequia property built to their exact specifications. Wherever they stay on the island they will be guaranteed a deeply relaxing time away from the bustle of the main islands. For those not so quiet moments the culture and adventure are easy to find too.

Thursday, June 25, 2009

James on Cricket



One of the advantages of Amazon is its policy of marketing used books that are located in obscure second hand bookshops, because that gives you access to books that aren't in print and are on obscure topics. In this case the book is C. L. R. James' book on cricket, "Beyond A Boundary". It is a joy to read, and I may have more to say when I finish it.

Sunday, June 21, 2009

The Barrouallie Whalers Brochure





The Barrouallie Whalers

dan@barrwhalers.org

Reply
Follow up message
A group of retired Caribbean longshore whalers from St. Vincent and the
Grenadines known as “The Barrouallie Whalers” have received an invitation
to participate in a major international maritime festival in Paimpol,
France (Festival international des Chants de Marins) this August. These
whalers, who are among the last traditional whalers and sea chantey
singers (see attached brochure), rarely have a chance to bring their
interpretive and entertaining program of whaling lore and music to the
international audiences.
The Barrouallie Whalers cannot advantage of this special opportunity
without additional support, however, because the festival can provide only
a portion of their airfare and other travel expenses. The costs of
obtaining French visas, which require inter-island travel and processing
fees, exceed what the festival has allocated for these unique performers.
They face a budget shortfall of about $4,500.
The Barrouallie Whalers Project, Inc., a nonprofit corporation sponsoring
this venture, urgently requests your help in spreading the word and
donating whatever amount you can to help them defray costs, as soon as
possible. Donations are tax deductible. The attached brochure includes a
donation form. Please help if you can; the men will be most grateful for
your support.
Thank you very much for your consideration
Sincerely,
Dan Lanier and Vince Reid, Directors
The Barrouallie Whalers Project, Inc.

Becoming West Indian




Dr. Kenneth John lent me a book about St. Vincent and it was so interesting that I wanted the opportunity to study it. I let Amazon search it out and there was a second-hand copy for sale in the Bronx. I had Amazon send it to our address in Massachusetts and now that we ourselves are up north I can reclaim it and study it in depth.

The book is Virginia Heyer Young's "Becoming West Indian: Culture, Self and Nation in St. Vincent"; part of the Smithsonian Series in Ethnographic Inquiry, published in 1993.
I suspect it will be the basis for some future entries in this blog.

Brief History



When I noticed Tomas Avila's book on Amazon I noticed a number of others as well. Amazon's move to market second-hand editions located in obscure bookshops makes a whole library of out-of-print books available to the people who are interested in them. I got a copy of Jan Rogozinski's "Brief History of the Caribbean" that way.

The Garifuna Compilation




Tomas Alberto Avila has compiled a collection of essays about the Garifuna in the form of a 382 page book. I have run across some of these on the internet, but it is extremely useful to have them in the form of a single publication. It includes the 1972 edition of Kirby and Martin's "Black Caribs", Lennox Honychurch's essay on Agostino Brunias, an essay based on Dr. Jim Sweeney's Ph.D. thesis on the Second Carib War and a number of shorter contributions on Garifuna culture that I had not found elsewhere.

This should be in the library of anyone who is interested in the Garifuna or, for that matter, the history of the Caribbean peoples.

Garifuna in Cuba

Roots and Identity in Santiago de Cuba at the Festival del Caribe

Santiago de Cuba will host the 29th edition of the event.
Festival del Caribe, Santiago de Cuba.

It was in 1981 when the idea came to fruition: the creation of a Theatre festival that would revitalize the inheritance left in this land by Haitians, Jamaicans, French or Spaniards. It was in the second of its official announcements when it was the venue for other artistic expressions, and in 1983 when it inaugurated its international character. Since then, it has promoted regional culture and strengthened the bonds of friendship with various Caribbean countries.

It’s a Festival of creeds, idiosyncrasies and traditions. It is, simply, the Fiesta del Fuego. A celebration of colors and culture, whose relevance goes beyond its traditional and famous conclusion of burning the devil. It is Santiago de Cuba that claims all the attention for an event that, apart from celebration, becomes a tribute. We are talking about the Festival del Caribe, the festival of roots and identity.

With its origin in Santiago de Cuba, the city considered the capital of the Caribbean, the July Festival is also a cult to African and indigenous roots that tinge a good part of the culture of American countries. From the orishas of the Yoruba pantheon of Cuba and other regions, passing through subjects linked with history, and up to reflections about the economic sphere, the Festival covers a mixture able to gather together all the complexity of identity of this area of the world. During this period, Santiago de Cuba seethes and succeeds in shaking the present with remembrances of our genesis, with tribute and jubilation.

It was in 1981 when the idea came to fruition: the creation of a Theatre festival that would revitalize the inheritance left in this land by Haitians, Jamaicans, French or Spaniards. It was in the second of its official announcements when it was the venue for other artistic expressions, and in 1983 when it inaugurated its international character. Since then, it has promoted regional culture and strengthened the bonds of friendship with various Caribbean countries.

Nowadays it is an artistic, academic and community spaces event. Celebrated every year and always in the first week of July, it is backed by the Union of Writers and Artists of Cuba, the Ministry of Culture and the Casa del Caribe, the sponsoring institution par excellence of the festival.

The Caribbean that unites us, an international colloquium provided within the context of the event, makes inquiries into the questions related with all artistic manifestations of the Caribbean territory: religion, patrimony, identity, history, economy and society. By the same token the merrymaking adheres to the academic conferences, panels and workshops covering broad expectations.

This year the 29th edition of the event will be held from July 3rd to 9th and dedicated to Honduras, the first Central American country as the guest of honor. In a closer relationship that goes beyond the folkloric, the celebration proposes a dynamic and multitudinous meeting that takes over plazas, parks and communities.

During this round, artists, professors and groups will delight spectators and listeners taking as the fundamental raw material their traditions and thought and, moreover, endowing the city with that air of reaffirmation in whose atmosphere everything is imbued with the Caribbean.

In a kind of study and disclosure that contributes to the knowledge and recognition of all the components that identify what is American and Caribbean, the Fiesta del Fuego inserts itself as an experience-generating event, out of respect towards the diverse in tribute to continental wisdom. The Colloquium, this time, will debate subject matters associated with the history and culture of the region’s peoples, giving emphasis to proposals of regional integration, processes of unification in the contemporary world, artistic creation and the construction of identity.

With almost 30 years of contributing to culture, it is an event that displays the most authentic Caribbean panorama without spurning the roots which gave them origin. It is one of the Cuban celebrations of deepest importance and popular meaning.

More than 50 locations will play central roles for the events of this Caribbean meeting, 32 of which are open natural stages, worthy of a much more ample interaction with the public.

The offers this year will be distinguished by the presence of the Ballet Folclórico Garífuna of Honduras, one of the most renowned artistic groups of that country and whose members are considered cultural ambassadors. Likewise the delegation of the invited country exceeds one hundred people between artists, researchers and other personalities. This meeting also serves to strengthen solidarity between countries in the area, from where one thousand people from over twenty nations have confirmed their participation.

Thursday, June 18, 2009

The Garifuna Reunion in Yurumein

The Garifuna Reunion in Yurumein



Garifunas Journey Back to Saint Vincent and the Grenadines (Yurumein)



FOR IMMEDIATE RELEASE: June 18th, 2009



Contacts: José Francisco Ávila (718) 402-7700 info@garifunacolaition.org

New York – The Board of Directors of the Garifuna Coalition USA, Inc. a, nonpartisan, 501(c)(3) tax-exempt nonprofit organization is pleased to inform that final preparations are being completed for The Garifuna Reunion in St. Vincent and the Grenadines on July 18th – 23rd



According to the Board of Directors,although the global financial crisis has had an impact on the expected number of participants, a Garifuna contingent will be traveling to St Vincent and the Grenadines on July 18th and final preparations are being completed in conjunction the Regional Integration and Diaspora Unit (RIDU) Office of the Prime Minister of St Vincent and the Grenadines to ensure that we have a full appreciation of our homeland, St. Vincent and the Grenadines (Yurumein).



As descendants from shipwrecked Africans who sought refuge in mainland St. Vincent and intermarried with the Caribs and Arawaks, the Garifunas or Black Caribs, are part of the unique cultures and melting pot of ethnicities that have their roots in the Caribbean . 212 years ago, everybody wondered if the Garifunas were going to survive as a people and live a long healthy life. Two years after the paramount Garifuna Chief Joseph Chatoyer was killed on March 14, 1795, the Garifuna people were exiled from their native land of St Vincent (Yurumein!) to the island of Roatán, off the coast of Honduras from where they dispersed along the Atlantic coast of Honduras, Guatemala, Belize and Nicaragua.



“This will be a historic event as we journey back to our homeland, Yurumein! Said Rejil Solis, president of the Garifuna Coalition USA, Inc.


José Francisco Avila
www.newhorizoninvestclub.com

Tuesday, June 16, 2009

Letter From Garifuna Of Los Angeles, CA




On Saturday, June 13, 2009, GAHFU’s Garifuna Culture and Language School started its third 8-week session of the year with a vibrant group of students. One new class was added for those interested in learning Garifuna Dance and the long awaited Drumming Class was brought back by popular demand.

The Garifuna community of Los Angeles young and old responded in numbers by attending our opening session. The Garifuna Culture and Language class started at 10:00 am and ended at12:00 noon followed by the Drumming and Conversational class and the Garifuna Dance classes from 12:00 noon to 2:00 pm. The Blazer Learning Center is the home of our school. The Blazer learning center is located at
1517 West 48th Street Los Angeles, CA 90062
(323) 898-6841. The two sessions of language and drumming were broadcasted live on 3 of the most popular Garifuna websites: www.labuga.com, www.garitv.comand www.garinet.com.

Thanks to the hard work that the teachers and staff have put into this project, we have been able to celebrate one year and three months at the Blazer location. GAHFU, Inc. would like to thank our Teachers and Founding Fathers Clifford Palacio, Sidney Mejia, Ruben Reyes, Carlos Domingo Alvarez, Melecio Gonzalez. We also want to thank Mr. Benny Davenport, Carlton Davenport and the staff from The Blazer Learning Center for making this project possible. A big thanks goes to Nichole Martinez our Secretary and to Ms. Helen Laurie, Community Liaison. In addition, our gratitude goes to our funding source The Alliance for California Traditional Arts. We couldn’t forget the people who have given their donations through our website www.garifunaheritagefoundation.org.

GAHFU, Inc. also welcomes our new staff to the school: Ms. Anita Martinez, Georgette Lambey and Luisito Martinez. Ms. Martinez will be teaching a new class in Garifuna History and Culture in the month of July 2009. Anita brings to our organization years of experience working with our youth as the President and Founder of Wagia Meme Dancers. Wagia Meme Dance Group is a non-profit organization and it has performed in such events like the annual Bob Marley Day Reggae Fest in Long Beach, CA. and many others. Ms. Georgette Lambey has been involved in cultural events in the Los Angeles area for a long time not only as a singer, dancer and drummer but also as a teacher. She has choreographed cultural groups for presentations all over Southern California. Georgette has recorded three albums as a solo artist and along with Belize’s finest Nuru. Luisito Martinez came to us via New York where he danced for Wanichigu Dance Group. He was part of
Giriga Impacto punta rock band which traveled all over the United States in numerous performances. Then, he moved to Los Angeles and joined the well-known local band Punta Cartel.

Arufudahati Ruben Reyes is so dedicated to this noble cause that he has spearheaded the opening of a Garifuna Museum on site. The Garifuna Museum is planning to have not only Garifuna artifacts but also books, photos and any other valuable objects that can be displayed to the public. So far, Juan Martinez has taken it upon himself to build a life size Wanaragua dancer dressed with an attire that was tailored in Honduras. For more information about the Garifuna Museum of Los Angeles and if you are interested in donating or lending a piece that can be displayed, you can contact Mr. Reyes (323) 864-1007.

We would like to share some of the pictures taken during our grand opening of our third session for 2009. If you are interested in attending classes, please contact GAHFU, Inc. You can also participate in our sessions via internet every Saturday from 10:00 am to 2:00 pm Pacific Standard Time. Please make a donation! Your kind contribution will play a vital role in preserving the Garifuna legacy and help us make this project grow and reach out to more people.



Date: Monday, June 15, 2009, 12:11 AM